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Doug MacDonald is an unpretentious guitarist whose foreground
and background playing deliver equal doses of "beautiful, bell-clear
sounds and a sure-footed sense of swing" (Zan Stewart, jazz journalist).
That's the nutshell version from a writer known for his economical way
of saying a lot.
The trio/quartet has a brand new CD “Beautiful Friendship” on the Blujazz label out of Chicago. It is currently being played on jazz stations worldwide. Please refer to the discography for the song list and personnel information.
Last year the band’s CD “Gentle Rain” on Sea Breeze Records received great reviews and ranked high on the national jazz charts.
In his eighth recording, TURN, on Sea Breeze Jazz, MacDonald focuses on
his composing/arranging skills and introduces non-traditional instrumentation
in the form of a 13-piece ensemble, "The Jazz Winds/Brass Coalition,"
to showcase his and other writers' music.
This bigger-band work was the next natural step for the veteran player's
growth, culminating years of composition studies about which he has become
increasingly passionate. In his own liner notes, he refers to the CD repertoire
as an effort to "create a body of work that explores a wide spectrum
of colors and forms," explaining that "while there exists jazz
swing on certain tracks, other pieces travel from tonal to atonal sections
with Latin and/or eighth note rhythms-an adventure where the listener
will discover new 'turns' of musical form and expression," thus the
title tune.
Jazz journalist Jim Santella, in reviewing the CD, calls the title tune
"a journey through Jazz's history and toward its future development,"
adding: "Without growth, anything would become commonplace and ordinary.
Doug ensures that jazz has a place to turn to that allows for change without
sacrificing tradition." Likewise, critic/columnist Harvey Barkan
says that MacDonald "has opened a new window for fresh ideas with
an irresistible effervescent feel of swing."
Previous to the 13-piece band, MacDonald fronted and recorded a nine-piece
brass and rhythm assembly of several of the same members of this new group.
Called Warm Valley (Resurgent Music RM111), it featured arrangements by
trumpeter Buddy Childers, Lou Forestieri and Jimmie Dykes, who shares
the composing/arranging spotlight with MacDonald on "Turn."
And so it has gone over the years. Increasing the numbers in his performance
groups and augmenting the instrumentation and sounds have become the trademark
MacDonald way of climbing the jazz ladder- from soloist to trio leader
to writer and front man on today's impressive non-traditional combo of
masterful players, a jazz/classical hybrid big band that swings.
A longtime Los Angeles-based guitarist, MacDonald was born in Philadelphia
and raised in Honolulu. He left the island paradise for the mainland's
music opportunities in 1982, creating a "portable" career for
himself mostly on the West Coast, but also in New York and occasionally
Las Vegas. He has been "flexible," he says, accounting for a
steady schedule of what often evades even the most talented and/or seasoned
player, especially in jazz circles-work!
Splitting his time between the Big Apple and the Big Orange netted him
critical recognition from both sides of the map.
"
mighty impressed
with the warmly coaxing artistry and good, enthusiastic work habits
of Doug MacDonald, who
has made his presence felt at various Gotham
jazzspots
" (CMJ New Music Report, reviewing Quartet on Cexton
Records, and calling it "a mainstream must."
"a complete jazz guitarist
who, judging from this exciting outing (****Quartet) should make quite
a splash on the East Coast.
a rich, yet clean tone, a penchant
for mixing single-note lines with octaves and deep, second-line chords
and a fresh conception." (Sunday Star-Ledger)
"In recent years, Doug
MacDonald has become one of the most respected-and busiest-guitarists
in Southern California.
at his best in a straight-ahead jazz context
a
lyrical guitarist who plays in a relaxed, easy swinging manner
also
can burn
(Orange County Register)
And the Los Angeles Times comment
which has become historical since MacDonald's solid replanting of his
roots in L.A.,
"We don't see as much
of one-time L.A. resident Doug MacDonald now that he's moved to New
York. That's why the guitarist's second release from Cexton Records
is so welcome." (Re Quartet with Ross Tompkins, Ray Brown, Jake
Hannah)
As a sideman on both coasts and
some stops elsewhere, his live performances are in the hundreds, with:
Stan Getz, George Shearing, Joe Williams, Sarah Vaughan, Ray Brown, Buddy
Rich, Dave McKenna, Scott Hamilton, Richard Groove Holmes, Jack McDuff,
Bobby Vinton, Ray Charles and Rosemary Clooney, plus fellow guitarists
Joe Pass and Herb Ellis. He has recorded with Hank Jones, Jack Sheldon,
Bob Cooper, Snooky Young, Bill Holman, the Clayton/Hamilton Jazz Orchestra,
Lorez Alexandria and Ray Anthony, among others.
The MacDonald led sessions include: Doug MacDonald Quartet with Ray Brown,
Jake Hanna and Ross Tompkins (1990), Organizing, with tenor saxophonist
Plas Johnson, drummer Johnny Kirkwood and Art Hillary on the organ (1997),
and the aforementioned Warm Valley (1996). Two earlier works on Sharp
Eleven Records were titled New York Session and I've Got the Minor Blues.
Referred to as a bop-based guitarist in the tradition of Pass, Ellis and
Barney Kessel, MacDonald admits to admiring "all those guys, the
way they played and what they played," completing the list of major
influences by naming Wes Montgomery, Johnny Smith, Grant Green and Jim
Hall.
MacDonald's own name may well find its way to the "influential"
list for future young musicians, given his persistent pursuit of always
improving the music, always seeking new ways to present jazz and constantly
honing his considerable skills. Again, from the master of understatement,
Zan Stewart, comes a simple summary description of the guitarist as he
likens him to Johnny Smith and West Montgomery, "who in the 1950s
and '60s placed their dulcet, rich tones and smooth rhythmic styles in
front of orchestras to great effect." "Guitarist Doug MacDonald
takes the same sort of listener-friendly approach." He is, Stewart
says, "subtle but never dull."
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For more information and a complete
profile, contact: Doug MacDonald,
(818) 846-7009; (818) 567-0966 (fax); dmacguitar@charter.net
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